• Home

  • About

  • CV

  • Exhibitions

    • Crystallising Time
    • Luminescence
    • The Shadow of Conquest
    • Colouring Time
    • Fiat Lux
    • Inside Out
    • Continuum
    • Quiver
    • The Never Ending Story

  • Conferences

    • Droll 'Observations': Roman Ondák’s Comi
    • The Work of Art: AAANZ 2016
    • Thinking Colour: University of Oxford
    • CAA 104th Conference
    • Image-Space-Body: AAANZ 2015
    • Situation: Idea: RMIT University
    • Waste: University of South Australia

  • Essays & Reviews

    • Brook Andrew: NGVA
    • Terry Smith: Talking Contemp Curating
    • Claire Lambe's Libidinal Economy
    • The Okayama Art Summit: Okayama
    • Philippe Parreno: ACMI
    • J.B. Blunk: Blum & Poe
    • Louise Hearman: MCA
    • Sovereignty: ACCA
    • Tokyo: Critic's Guide
    • Painting. More Painting: ACCA
    • Life Inside an Image: MUMA
    • My East Is Your West
    • Patricia Piccinini: Meet Graham: Geelong
    • Endless Circulation: 5th TarraWarra Bie
    • Cameron Robbins: Field Lines
    • Spaces for Reflection: Natasha Johns-Mes
    • 8th Australian Pacific Triennial of Cont
    • Open Source Thinking
    • Helen Johnson: Sutton Gallery
    • Melinda Harper: Heide Museum of Modern
    • Pierre Huyghe: TarraWarra Museum
    • Lou Hubbard: West Space
    • Concrete: MUMA
    • Emily Floyd: Heide Museum of Modern Art
    • Stuart Ringholt: Kraft
    • Doctor Doctor: The Emergence of the Prac
    • Anxious Times: Strategies of Doubt
    • Simon Horsburgh: Forthcoming and Untitle
    • Julie Blyfield
    • Snap Freeze
    • Katie Pye: Clothes for Modern Lovers
    • High Gloss
    • St Sebastian: Fiona Tan
    • Animal Love: Kate Ellis

  • Academic Teaching

  • Links

  • More

    Frieze

    Artlink

    Art Monthly Australasia

    InVisible Culture: An Electronic Journal for Visual Culture

    Australian Book Review

    Un Magazine

    West Space

    Heide Museum of Modern Art

    Monash University Museum of Art

    Blindside

    Linden New Art

    Broadsheet Journal

    ACCA

    © 2016 by Sophie Knezic